Chanting mantras can help us bypass the mundane matters and mental chatter of daily life. I am offering a new weekly class called "Mantra and Movement" that combines the yoga of sound (nāda yoga) with the yoga of movement (asana) to support your physical health and spiritual development. You can choose to sing or listen to the sacred sounds, join in the movement or just sit. No prior musical or yoga experience is required for this class, and people from all belief systems are welcome.
Most people who try meditation probably think of it as an activity done in silence. They might learn the common meditation technique where they observe sounds that happen to arise and notice the temporary nature of those sounds, but they probably would not expect those sounds to continue throughout their meditation. In other words, sound is understood to be a departure from the "real work" of sitting — or struggling to sit — peacefully in silence. Fortunately, there is more than one way to meditate and there isn't some rule that the only allowable "meditation music" is repetitions of John Cage's 4' 33".
It isn’t obvious that we should like sad music. Sadness is usually a feeling we try to avoid. An alien might expect us to find such music depressing and dislikable.
Yet, sad music pulls us in and lifts us up. So, why does hearing sad music feel so good?
During meditation, we frequently use a "meditation object," such as the breath, a mantra, or physical sensations to help cultivate present moment awareness. Rather than let the mind jump around, we give it a task, something to do. There are many kinds of meditation objects, and in this episode of Pretty Good Meditation, we use piano music.
The musical example, Frederic Chopin's Nocturne in E flat major, Op. 9 no. 2, performed by Aya Higuchi, is in the public domain (https://musopen.org/music/108-nocturnes-op-9). The theme music is "Maxixe" performed by Edson Lopes under CC BY 3.0. To leave a comment about this episode, visit matthewtift.com/prettygood/6.
Tomorrow at 10:30am Central I will be giving a presentation (online) and leading a discussion about "deep listening," a practice developed by the composer, electronic musician, accordion player, and improviser Pauline Oliveros. While some teachers are certified to facilitate "Deep Listening Workshops," I will instead provide some background about Pauline Oliveros and her Sonic Meditations, an overview of the practice of deep listening, and offer some interpretations of her music.
I learned a new word today: "moga." No, I'm not talking about the Sanskrit word for chicken pox, moga, or the video game controller series. I'm referring to the equation Classical Music + Yoga = Moga. If you "combine yoga with a live orchestra" then apparently you can answer affirmatively to the question, "Do you moga?" It's the "latest wellbeing trend to arrive in London," circa 2015. "Moga" has even been featured on the "Trend Hunter" website.
I first attempted to install TidalCycles about six months ago, in May 2018. I've learned a lot in the past six months, and I'd like to share some of the knowledge I've acquired. If you are new to Tidal or you've tried it out in the past and got stuck, then this unnumbered list of observations is for you.
On Friday (June 8) I attended my first live coding event, announced as "Nada presents Spednar, Rew, and Local Artists." This concert felt unlike any music concert I had ever attended. I greatly enjoyed the event and I've been investigating why. What follows recounts my experiences at one live coding event, and does not attempt to characterize all live coding events.
Over the weekend, I was sitting in my office watching an episode about Beethoven's 3rd ("Eroica") symphony from the excellent PBS series Keeping Score, when Michael Tilson Thomas said something about the symphony that intrigued me.