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Attachments, Good and Bad

A person in a hoodie sits at a small round table by a curved bank of windows, mug in hand, looking out over a golden marsh toward a tree line under a clear sky.
I subbed an early class at The Marsh last week, and afterward, couldn't resist a gluten-free banana chocolate chip muffin. A lot of yoga teachers would tell me not to get attached. This post is about the difference between paying attention to something you enjoy and gripping it, and why that difference can be harder to notice than it sounds.

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The Highest Practice, Not the Only One

A quote painted on a wall reading "The highest spiritual practice is self-observation without judgment" above a glass display case holding a framed photo of Swami Kripalu at a writing desk, a folded orange robe, and a pair of wooden sandals, with a text panel to the left.
I stood in front of a glass case holding Swami Kripalu's folded orange robe and worn sandals, under a quote about self-observation without judgment. The quote didn't square easily with what was written next to it about a man who practiced ten hours a day for almost thirty years.

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What Am I Adding to This?

Thirteen people stand together on a wooden deck outside a small A-frame building, with trees behind them.
On Saturday, twelve people joined me at Lake Fellowship for gentle yoga, meditation, conversation, food, and time outside. The day had structure, but no one needed to perform it. We practiced steadiness and ease, and discovered how much room a pause can make.

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Two Kinds of Wanting

A bald man named Matthew in a black T-shirt and shorts kneels barefoot on a low wooden meditation bench, seen from behind, facing tall wood-framed windows that look out over a marsh and treeline under a blue sky, with sunlight falling across the white wall above.
Someone in class asked whether there is a good kind of wanting. The answer is yes. For years I assumed it was no, that "let it go" covered everything, and I pictured an advanced yogi who wanted nothing at all. I could never work out how that person got out of bed. Patañjali is more useful than that. He sorts mental activity into two piles.

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Just This One More Thing and I'll Be Set

A wooden harmonium sitting open on beige carpet in the corner of a room, its top panel raised above the black and white keyboard, with a row of chrome and red stop knobs and a carrying handle along the front.
In high school I told my mom that if I just had a CD player, I would not need anything else. I meant it. Thirty-some years later the sentence is about a harmonium, or one more tweak to my website, and the reasons seem better now. That's the part worth paying attention to.

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Not Taking What Is Not Given

A hand-drawn stick figure sitting cross-legged with eyes closed, a small smile, and hands resting open on the knees, in white on a light blue square, above the hand-lettered words Pretty Good Meditation with Episode 100 in bold rust-orange capitals below.
Episode 100 of Pretty Good Meditation has no intro music, no episode number, and no mention of my website. It's three minutes and forty-seven seconds. I'm starting to prefer minimal episodes. They align better with the yogic idea of non-stealing.

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Two Experiments in Steadiness and Ease

A triangular rusted-metal sign in the foreground reading "Lake Fellowship of Unitarian Universalists" with a wooden A-frame building nestled in lush green woods in the background.
Last August I wrote that I'd get to retreats once family logistics settled down. Both kids head back to college this week, and it turns out I don't want to go anywhere. So I'm hosting two things at Lake Fellowship in Excelsior: a free Saturday morning class on August 22, and a day-long retreat with a potluck on September 12. Twelve people each.

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Three Questions for When Your Practice Is Stuck

A dark grey bicycle on its kickstand in mown grass in front of an empty wooden bench on a concrete pad, with a meadow, a line of trees, a river, and tall clouds behind them.
Some days you don't feel like practicing. You show up, do the thing, and not much happens. Patañjali opens his chapter on practice with three aspects of your practice to consider when that happens, and he puts them ahead of the eight limbs, the part everyone knows.

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Two Things Instead of a List

A lake seen from a cabin yard on a bright day, with a sand beach and kids' toys in the foreground, a turquoise floating mat and an inner tube in the shallow water, a dock with a pontoon boat, patio chairs under a blue umbrella, and a black and white greyhound standing on the grass at the edge of the frame.
Minnesota summers fill up fast, and so does the list of things a person ought to care about. Patañjali offers two words instead: steady practice, and letting go of how it turns out. One gives you something to do, and the other keeps it from becoming one more thing to win at.

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Breathe, Relax, Feel, Watch, Allow, Repeat

A snow-covered field at Kripalu on a bright winter day, with a single empty blue Adirondack chair, a set of footprints leading toward it, a bare tree, and clouds rolling over distant hills.
The first time I heard a Kripalu teacher say BRFWA, I thought it sounded like a sneeze. Breathe, Relax, Feel, Watch, Allow is a slightly awkward name for a useful skill, good for getting centered and negotiating sticky conversations. These five letters have helped me to ride the waves of life instead of checking out.

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